Cellist Gabriel Martins (b. 1998) has established himself as one of the world’s most compelling young musicians. His artistry has already been recognized through an extensive list of accolades including the Concert Artists Guild/Young Classical Artists Trust Grand Prize, the Sphinx Competition Gold Medal, the David Popper International Cello Competition Gold Medal, the International Tchaikovsky Competition for Young Musicians Silver Medal, the Schadt String Competition Gold Medal, the Orford Music Award, and the Prague Spring Czech Music Fund Prize. These successes have led to a number of high-profile debuts including Wigmore, Carnegie, and Merkin Halls, 92nd Street Y, the Great Hall of the Moscow Conservatory, Maison Symphonique in Montréal, and the Arkansas, Houston, Indianapolis, Memphis, New Russian State, Omaha, Pacific, Phoenix and São Paulo Symphony Orchestras. In 2022, The Strad Magazine declared his New York City recital debut to be “flawlessly played…a deeply moving experience” and Classic FM named him one of their “30 under 30” Rising Stars.

Lauded for his “rich, warm” and “mesmerizing” sound, Martins carries a concerto repertoire spanning every major work. In recital, his performances of the Bach Cello Suites have garnered particular recognition. Martins’ playing has been broadcast on NPR, WQXR, KUSC, WFMT, and more. His festival appearances include Aspen, Bard, Brevard, Chamberfest Cleveland, Four Seasons, Ravinia, and Yellow Barn.

Born of American and Brazilian heritage, Martins grew up in Bloomington, Indiana. He began playing the cello when he was five, studying with Susan Moses at the Indiana University String Academy. He went on to receive his B.M. as a Presidential Scholar at the USC Thornton School of Music with Ralph Kirshbaum. In his freshman year at USC, he won the school’s concerto competition as well as its Bach competition. He received his M.M. at the New England Conservatory of Music with Laurence Lesser. Martins now resides in South Carolina with his partner, violinist Geneva Lewis. In addition to performing, he also composes, arranges, and teaches. He plays a composite Francesco Ruggieri cello made in Cremona, c. 1690 and a François Nicolas Voirin bow made in Paris, c. 1880.