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Chelsea Tipton | Music Director Candidate
Chelsea Tipton
Music Director CAndidate
Saturday, May 11, 2024
8:00 pm
Greensboro Symphony Orchestra
Chelsea Tipton II, conductor
Andrew Sords, violin
Simon Amen!
Bruch Scottish Fantasy
Elgar Pomp and Circumstance, No. 1
R. Strauss Suite from Der Rosenkavalier
This performance is expected to last approximately two hours with one twenty-minute intermission.
Refreshments and restrooms are located in the orchestra, mezzanine, and balcony-level lobbies.
Music Director candidate Chelsea Tipton, currently Music Director of the Symphony of Southeast Texas, opens this Masterworks Season FInale with Carlos Simon’s joyful, spontaneous, and soulful Amen! American violinist Andrew Sords then takes center stage for Max Bruch’s Scottish Fantasy. Edward Elgar’s Pomp and Circumstance March No. 1 is a perfect match for the local graduation season, and to bring the concert to a resplendent close, Richard Strauss’s suite from his opera Der Rosenkavalier—a lush and emotive masterpiece that carries you through the heart of Vienna’s romantic operatic tradition.
Saturday, May 11, 2024
8:00 pm
Additional Purchase Options
- In person // Greensboro Symphony Box Office (Weekdays from 10am – 4:30pm). The Greensboro Symphony’s box office is located in the Greensboro Cultural Center at 200 N. Davie Street, Suite 301.
- In person // Tanger Center Ticket Office (Tu-Sa, Noon-5pm). The Tanger Center’s ticket office is located at One Abe Brenner Pl., between Elm and Davie Streets.
- By phone // Weekdays from 10am – 4:30pm at (336) 335.5456, ext.224
Venue
STEVEN TANGER CENTER FOR THE PERFORMING ARTS
300 N. Elm Street at Abe Brenner Place
Greensboro, NC 27401
Parking
VIP Parking, purchasable with a series subscription, is available in the large surface lot directly behind the Tanger Center with access from Lindsay Street. The Bellemeade Street parking deck, accessed from Elm Street or Greene Street, is the nearest city deck; Church Street and Davie Street decks are other nearby options. Street parking is also available, free after 6pm.
Musicology Mixology
Formerly known as Preludes, the Greensboro Symphony’s pre-concert talks, Musicology Mixology, share insights into the Masterworks program. The conductor and the guest artists frequently join in at the beginning of each presentation.
Musicology Mixology is held in the Koury Room on the third floor of the Tanger Center on the evening of each Masterworks concert. Doors will open at 6:45 p.m. with the lecture component beginning at 7:00 p.m., prior to the 8:00 p.m. concert. A specialty cocktail tied to the concert program is available for purchase for each concert, and audience members can enjoy the concert even more by learning unique details about the works to be performed.
Frequent guest musicologists include Dr. Gregory Carroll, Dr. David Nelson, Dr. Joan Titus and Dr. Lorena Guillen of UNCG, and Dr. Wendy Looker of Guilford College.
Chelsea Tipton, Conductor
Chelsea Tipton II has won over audiences and critics with his vibrant musicality, versatility, accessibility, and commitment to art education. He served as Resident Conductor of the Toledo Symphony Orchestra for seven exceptionally successful seasons and was Associate Conductor of the Savannah Symphony Orchestra for four seasons. He is currently in his fifteenth season as Music Director of the Symphony of Southeast Texas and ninth season as Principal Pops Conductor with the New Haven Symphony Orchestra.
One venue spotlighted the maestro’s versatility during the summer of 2011 when he was chosen to accompany Sting on an extensive European tour covering fifteen countries. Tipton prepared and rehearsed the musicians of nineteen different orchestras. He performed in concert with Sting in the Canary Islands, Granada, and Cap Roig, Spain. In November 2021, Sting and Tipton reunited for a special show with his hometown orchestra, the Greensboro Symphony Orchestra.
Andrew Sords, Violin
American violinist Andrew Sords has a celebrated career as a soloist, recitalist, and in performances with his trio. Having appeared with nearly 300 orchestras on 4 continents, Sords has been cited for combining visceral virtuosity with a ravishing tone, while international critics endorse Sords as “a fully formed artist” (Kalisz-Poland News), “utterly radiant” (Canada’s Arts Forum), and “exceptionally heartfelt and soulful” (St. Maarten’s Daily Herald). Closer to home, ClevelandClassical.com gushed: “the stunner of the afternoon was a breathless but magnificently controlled performance of Beethoven’s “Kreutzer” sonata, which Sords charged through with giddy aplomb. Sords impressed with his total command of technique, consummate musicianship and bravura as he tossed off scads of notes and sang out like a diva — he and Eriko Izumida kept the audience in the palm of their hands all afternoon.”