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Chris Thile | Mandolin
Chris Thile
Mandolin
Saturday, Nov 2, 2024
7:30 pm
Greensboro Symphony Orchestra
Chris Thile, mandolin
Marjorie Bagley, violin
Martha Bassett, soloist
Christopher Dragon, Music Director and Conductor
Liszt Les Préludes
Bach Double Violin Concerto
Thile ATTENTION! A Narrative song cycle for extroverted mandolinist and orchestra
This performance is expected to last approximately two hours and ten minutes with one twenty-minute intermission.
Refreshments and restrooms are located in the orchestra, mezzanine, and balcony-level lobbies.
The concert begins with Liszt’s Les Préludes, a magnificent orchestral work, known for its dramatic and romantic themes, followed by the Bach Double Violin Concerto—a classic in the Baroque repertoire—featuring Chris Thile‘s interpretation alongside GSO Concertmaster Marjorie Bagley!
The evening ends with ATTENTION! A Narrative song cycle for extroverted mandolinist and orchestra by Chris Thile, with soloist Martha Bassett, highlighting his virtuosity on the mandolin and his ability to blend various musical influences into his compositions. Each piece offers its own beauty and depth, making for a diverse and captivating listening experience.
Saturday, Nov 2, 2024
7:30 pm
Additional Purchase Options
- In person // Greensboro Symphony Box Office (Weekdays from 10am – 4:30pm). The Greensboro Symphony’s box office is located in the Greensboro Cultural Center at 200 N. Davie Street, Suite 301.
- In person // Tanger Center Ticket Office (Tu-Sa, Noon-5pm). The Tanger Center’s ticket office is located at One Abe Brenner Pl., between Elm and Davie Streets.
- By phone // Weekdays from 10am – 4:30pm at (336) 335.5456, ext.224
Venue
STEVEN TANGER CENTER FOR THE PERFORMING ARTS
300 N. Elm Street at Abe Brenner Place
Greensboro, NC 27401
Parking
VIP Parking, purchasable with a series subscription, is available in the large surface lot directly behind the Tanger Center with access from Lindsay Street. The Bellemeade Street parking deck, accessed from Elm Street or Greene Street, is the nearest city deck; Church Street and Davie Street decks are other nearby options. Street parking is also available, free after 6pm.
Musicology Mixology
The Greensboro Symphony’s pre-concert talks, Musicology Mixology, share insights into the Masterworks program. The conductor and the guest artists frequently join in at the beginning of each presentation.
Musicology Mixology is held in the Koury Room on the third floor of the Tanger Center on the evening of each Masterworks concert. Doors will open at 6:15 p.m. with the lecture component beginning at 6:30 p.m., prior to the 7:30 p.m. concert. A specialty cocktail tied to the concert program is available for purchase for each concert, and audience members can enjoy the concert even more by learning unique details about the works to be performed.
Frequent guest musicologists include Dr. Gregory Carroll, Dr. David Nelson, Dr. Joan Titus and Dr. Lorena Guillen of UNCG, and Dr. Wendy Looker of Guilford College.
Chris Thile, mandolin
Chris Thile’s Laysongs is his first truly solo album: It’s just Thile, his voice, and his mandolin, on a set of nine new tracks, combining original songs with three wisely chosen covers that contextualize and banter with his ideas. While Thile’s critically lauded interpretations of Bach on mandolin (2013’s Bach: Sonatas and Partitas, Vol. 1) also showcased him on his own, that was a kind of duet, a dialogue between Thile and his beloved J.S. Bach. Laysongs, on the other hand, is more of a soliloquy, and it’s very much a soul-searching one. Thile confronts, cajoles, and cozies up to his personal—and our shared—angels and demons, an effort made more poignant, dramatic, and universal by the enforced isolation of the pandemic. Learn more>
Marjorie Bagley, violin
Violinist Marjorie Bagley made her Lincoln Center concerto debut in 1997 with the Little Orchestra Society after beginning her performing career at the age of nine in her home state of North Carolina with the Asheville, Winston-Salem, and North Carolina Symphonies. Having graduated from the Manhattan School of Music in the first class of Pinchas Zukerman, she is active as a recitalist, chamber musician, and teacher. Marjorie has also performed as soloist with the Utah Symphony, Idaho Falls Symphony, Ann Arbor Symphony, the University of Michigan Symphony, and the Washington Square Music Series. As first-violinist and founding member of the Arcata String Quartet, Marjorie performed in the Weill Recital Hall at Carnegie, London’s Wigmore Hall, and across Western Europe and the United States. She is also an active proponent for new music and has premiered works by Paul Chihara, David Noon, Nils Vigeland, and Judith Shatin. Through her travels to music festivals, Marjorie has had the opportunity to play with some of the great artists of our time including Pinchas Zukerman, Itzhak Perlman, Joseph Kalichstein, members of the Guarneri, Emerson, American, Tokyo, and Borromeo String Quartets. Ms. Bagley can be heard on recordings for the VOX, New World and Summit labels, and a recording of music for violin and percussion on the Equilibrium label featuring a concerto by Lou Harrison. Marjorie is the Co-Director of the Juniper Chamber Music Festival in Logan, Utah, which is becoming one of the most elite chamber music festivals in the nation. Ms. Bagley has been on the faculty of Ohio University, Utah State University, and the International Music Academy in Pilsen, Ms. Bagley has also taught at the Brevard Music Center, the Perlman Music Program, the Kinhaven Music School, and the Manhattan School of Music Preparatory Program.